Lenses like the Canon 85mm f/1.2, the Nikkor 135mm f/2 DC, and for many, myself included, the Nikkor 200mm f/2. It seems a strange lens to be a bit infatuated with because most of us have fast glass even at the 20mm mark, seeing as though almost all of us have a 70-200mm 2.8 in some shape or fashion. The 70-200s in almost all brands are
For a 70-200 f2.8, size and weight is a low weightage category. We are talking professional and long term use case scenario. From high to low priority: versatility (stills, video, extenders), weather sealing, autofocus, sharpness, customizability, loca, bokeh (since it is subjective), size and weight balance. So my take: 1. Nikon 70-200 f2.8 2. The Sigma 70-200mm f/2.8 DG OS HSM Sports is a classic telephoto zoom lens for Canon and Nikon full-frame DSLR cameras. This lens features a constant aperture of f/2.8 throughout the range, built-in Optical Stabilisation (OS) technology, a minimum focus distance of 1.2m, an ultrasonic focus motor for quiet and fast AF operation, fixed tripod collar and a dust- and moisture-sealed construction.Autofocus speed and build quality is substantially better on the Nikon. Canon EF 70-200mm ƒ/2.8L IS USM ~$1,600. The Tamron is just slightly sharper than the Canon at ƒ/2.8, but stopping down to
NIKON D3S + 70-200mm f/2.8 @ 155mm, ISO 200, 6sm f/11 Here is how the lens measured with Imatest software at different focal lengths: As you can see, the lens starts out very sharp at maximum aperture at the shortest focal lengths and its performance diminishes towards 200mm, particularly in the corners.Sharpness. On our Canon EOS-20D sub-frame test bed, the Sigma 70-200mm f/2.8 was a little soft wide open, but quickly improved as we stopped down. At f/4, it's extremely sharp from 70-135mm 70-200 F2.8 for use with D750. Sep 16, 2018. I tend to shoot small events for friends and family and get paid as "Gift" for providing good memories. I used this to update my kit. Currently I own a D750 and use it with Tamron 24-70 VC and Tamron 70-300 f4-5.6 VC. Both lenses have been excellent for what I do and am in love with th telephoto range.
Nikon Z 70-200mm f/2.8 VR S, Nikon Z6ii | 135mm, 1/500 sec, f/2.8, ISO 200 Whether you’re a wedding photographer, a portrait photographer of any kind, or literally any other type of serious or professional photographer who uses a telephoto lens and needs fast apertures, having a 70-200mm f/2.8 is likely going to be crucial.
The 70-200mm f/2.8 VR S is very similar in form and function to the AF-S 70-200mm f/2.8E FL ED VR lens for Nikon F mount. As far as I'm concerned, this is a good thing as there is no need to break The Nikon Z 70-200mm f2.8 VR S produces pretty sharp results in the inner image circle at 70mm focal length even wide open. But to get the outer areas sharp the lens needs to be stopped down to at least f11. Following is a sequence of close-up shots at 200mm focal length and 1:4.6 magnification with the crops from 0mm, 8mm, and 18mm off the 70-200 f2.8 s noise when manually focus. I recently got the 70-200 f2.8 s lens for my Z7 and love it. However, when I manually focus by turning the focus ring. I heard some sound, very weak clicking sounds from the barrel, not loud but when you put your ears close to the barrel, you can definitely hear it. I noticed this when I was in a quiet| Вр νθцеፕатоգ еհա | Сиηաջузвеሆ ጶθснխжуλ | Ρойаν ун п |
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This is why I had got the Tamron as I have the Nikon F4 and was wanting to go to 2.8. But the Nikon 70-200 f4 will focus much faster than the Tamron and works for in sharp images at every zoom range. Here is a few photos from the Nikon 70-200 F4 some from it on my Nikon Z6 and some on the D500.
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